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In his autobiography, Handy described how he incorporated elements of black folk music into his musical style. The basic three-chord harmonic structure of blues music and the use of flat third and seventh chords in songs played in the major key all originated in vernacular music created for and by impoverished southern blacks. [21]
G tuning – G-C-F-A ♯-D-G / G-C-F-B ♭-D-G Four and a half steps down from standard tuning. Used by the doom metal band Warhorse and the brutal death metal band Mortician and the sludge metal project Foreigns.
Polish composer Frédéric Chopin wrote two études in the key of G-flat major: Étude Op. 10, No. 5 "Black Key" and Étude Op. 25, No. 9 "Butterfly" as well as a waltz in Op. 70. French composer Claude Debussy used this key for one of his most popular compositions, La fille aux cheveux de lin , the eighth prélude from his Préludes, Book I ...
G-flat may refer to: G-flat major; G-flat minor; The musical pitch G ...
Stephen Arthur Stills (born January 3, 1945) [1] is an American musician, singer, and songwriter best known for his work with Buffalo Springfield, Crosby, Stills & Nash, Crosby, Stills, Nash & Young, and Manassas. As both a solo act and member of three successful bands, Stills has combined record sales of over 35 million albums.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
By 2006, he had recovered and was playing concerts again. Jansch's album The Black Swan, his first for four years, was released on Sanctuary on 18 September 2006, featuring Beth Orton and Devendra Banhart on tracks "Katie Cruel", "When the Sun Comes Up" and "Watch the Stars", among other guests. [64]
Elizabeth Taylor Greenfield (1817 – March 31, 1876), dubbed "The Black Swan" (a play on Jenny Lind's sobriquet, "The Swedish Nightingale" and Catherine Hayes's "The Irish Swan"), [1] [2] was an American singer considered the best-known Black concert artist of her time.