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"Italo-house" as it became known in the early 1990s was a happy, euphoric sound; pioneered essentially by the production stable of Gianfranco Bortolotti, whose alter egos included Cappella, R.A.F., East Side Beat, [1] and the 49ers. Records produced in Italy dominated the UK dance charts of 1990/91 with tunes including Asha's "JJ Tribute" (lead ...
Progressive house Progressive house is typified by accelerating peaks and troughs throughout a track's duration and are, in general, less obvious than in hard house. Layering different sounds on top of each other and slowly bringing them in and out of the mix is a key idea behind the progressive movement.
Progressive house was a departure from the Chicago acid house sound. [8] The buzz word emerged from the rave scene around 1990 to 1992, describing a new sound of house that broke away from its American roots. [7] Progressive house was viewed by some as anti-rave as its popularity rose in English clubs while breakbeat hardcore flourished at ...
Italo house blended elements of Italo disco with traditional house music; ... Italy was at the forefront of the progressive rock movement of the 1970s, ...
Hull House, Chicago. Settlement and community houses in the United States were a vital part of the settlement movement, a progressive social movement that began in the mid-19th century in London with the intention of improving the quality of life in poor urban areas through education initiatives, food and shelter provisions, and assimilation and naturalization assistance.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
Righeira's music has mainly been described as Italo disco, [43] new wave and synth-pop-influenced electronic music. The duo also experimented with various other genres throughout its career, including Eurodance, rock, reggae, and Italo house.
As a DJ, D'Agostino is known as one of the "pioneers of Mediterranean Progressive Dance", [3] consisting of minimalistic sounds and Latin and Mediterranean melodies. As a record producer, D'Agostino's uses the pseudonym "Gigi Dag"; he transforms a piece, originally destined for the discos, into a success for the mainstream public.