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On Rotten Tomatoes, the episode received a 95% rating with an average score of 8.3 out of 10 based on 21 reviews. [ 11 ] Writing for IndieWire , Hanh Nguyen awarded the episode an "A," theorizing that because "the ghostly overlay of Cooper's face fills the screen as the action plays out", "the entire season up to this point" is "inside of his ...
"Part 1" was first broadcast on Showtime, along with "Part 2", on May 21, 2017, and was seen by an audience of 506,000 viewers in the United States. [3] In addition, the two episodes were shown as a feature at the 2017 Cannes Film Festival, where they received a standing ovation. [4] The episode received critical acclaim.
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Caught on Camera is a British documentary series, which looks at real-life footage, filmed by members of the public.. The cameras used to film this footage, such as CCTV, smartphones, bodycams and dashcams, are everywhere in the United Kingdom, capturing many traditional British events, such as angry moments, car incidents, heroes holding their own against criminals, etc.
The new residents at Angels Memorial Hospital in Los Angeles are introduced to the ER and deal with a series of patients including a dropped-off gang member, a foreign child with a collapsed lung, an organ donor and his daughter who were in a car crash, a stroke patient, and a nine-month pregnant woman with unexplained flu symptoms.
"Slip" is the eighth episode of the third season of the AMC television series Better Call Saul, a spin-off series of Breaking Bad. The episode aired on June 5, 2017 on AMC in the United States. Outside of the United States, the episode premiered on the streaming service Netflix in several countries.
"Miracles" is the 20th and final episode of the third season of the CBS television series How I Met Your Mother and 64th overall. It was written by series creators Craig Thomas and Carter Bays , and directed by Pamela Fryman .
Accident is a 1967 British drama film directed by Joseph Losey. Written by Harold Pinter , it is an adaptation of the 1965 novel Accident by Nicholas Mosley . It is the second of three Losey–Pinter collaborations; the others being The Servant (1963) and The Go-Between (1971).