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In atonal, twelve tone, or musical set theory, a "pitch" is a specific frequency while a pitch class is all the octaves of a frequency. In many analytic discussions of atonal and post-tonal music, pitches are named with integers because of octave and enharmonic equivalency (for example, in a serial system, C ♯ and D ♭ are considered the ...
Traditionally in Western music, a musical tone is a steady periodic sound. A musical tone is characterized by its duration , pitch , intensity (or loudness ), and timbre (or quality). [ 1 ] The notes used in music can be more complex than musical tones, as they may include aperiodic aspects, such as attack transients , vibrato , and envelope ...
Pitch is the lowness or highness of a tone, for example the difference between middle C and a higher C. The frequency of the sound waves producing a pitch can be measured precisely, but the perception of pitch is more complex because single notes from natural sources are usually a complex mix of many frequencies.
A scale of vowels is an arrangement of vowels in order of perceived "pitch". A scale used for poetry in American English lists the vowels by the frequency of the second formant (the higher of the two overtones that define a vowel sound). Starting with the highest,
This is a psychophysical sense, where for example "listeners tend to hear a given pitch as, for instance, an A above middle C, an augmented 4th above E ♭, the minor 3rd in an F ♯ minor triad, a dominant in relation to D, or (where the caret designates a scale degree) in G major rather than a mere acoustical frequency, in this case 440 Hz". [3]
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
When one contrasts this with a dissonant interval such as a tritone (not tempered) with a frequency ratio of 7:5 one gets, for example, 700 − 500 = 200 (1st order combination tone) and 500 − 200 = 300 (2nd order). The rest of the combination tones are octaves of 100 Hz so the 7:5 interval actually contains four notes: 100 Hz (and its ...
Note vs. pitch vs. frequency: A note is written on a page, or understood in a larger musical context, including a rhythmic value; a tone is a pitch, typically in relation to a scale and without rhythmic specification; a pitch is an auditory frequency; a frequency is an acoustic phenomenon, for example, with respect to harmonics.