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C-41 is a chromogenic color print film developing process introduced by Kodak in 1972, [citation needed] superseding the C-22 process.C-41, also known as CN-16 by Fuji, CNK-4 by Konica, and AP-70 by AGFA, is the most popular film process in use, with most, if not all photofinishing labs devoting at least one machine to this development process.
Kodak claims that Kodacolor was "the world's first true color negative film". [1] More accurately, it was the first color negative film intended for making paper prints: in 1939, Agfa had introduced a 35 mm Agfacolor negative film for use by the German motion picture industry, in which the negative was used only for making positive projection ...
RA-4 is Kodak's proprietary name for the chemical process most commonly used to make color photographic prints. It is used for both minilab wet silver halide digital printers of the types most common today in photo labs and drug stores, and for prints made with older-type optical enlargers and manual processing.
A reversal film chromogenic print, also known as a Type-R print, is a positive-to-positive photographic print made on reversal-type color photographic paper. Fujifilm, Kodak, and Agfa have historically manufactured paper and chemicals for the R-3 process, a chromogenic process for making Type-R prints.
Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.
A processing variation called skip bleach, most popular in motion picture negative processing, leaves the silver image partially or completely intact, yielding a type of contrast enhancement. The most common chromogenic processes are C-41 for color (and chromogenic black-and-white ) negative film, RA-4 for color negative paper (see Type C print ...
Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper.The paper is exposed to a photographic negative, a positive transparency (or slide), or a digital image file projected using an enlarger or digital exposure unit such as a LightJet or Minilab printer.
These images show 16mm Eastman Kodak keykode (top) and Fujifilm MR-code (bottom) The Fuji example was scanned from a positive print, but it shows the codes from the negative. Neither scan shows the manufacturer's information, which is repeated every 80 frames on 16mm film.
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