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The psalm has been variously dated to either the 8th century BC, the time of the prophets Hosea and Micah, or to a time after the Babylonian captivity.The latter date is supported by the reference to "gathering" in verse 5, but is problematic because verse 2 describes Zion (another name for Jerusalem) as "the perfection of beauty", even though Jerusalem was destroyed in 587 BC.
The Asperges is so called from the words intoned at the beginning of the ceremony, taken from Psalm 50:3, throughout the year except at Eastertide, when Vidi aquam (based on Ezechiel 47), with Psalm 116:1, is intoned. It precedes every other ceremony that may take place before the Mass, such as the blessing of palms or of candles.
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The Psalms of Asaph (English: / ˈ eɪ. s æ f / Ay-saf; [1] Hebrew: אָסָף ’Āsāp̄, "Gather" [2]) are the twelve psalms numbered as 50 and 73–83 in the Masoretic Text, and as 49 and 72–82 in the Septuagint. They are located in the Book of Psalms in the Hebrew Bible (which is also called the Old Testament).
Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1] Its chief distinctives are:
And my mouth will proclaim your praise" (Ps 50/51 v.17), and continuing with an antiphon and the Invitatory Psalm, usually Psalm 94/95. All psalms and canticles are accompanied by antiphons. Unless the invitatory is used, each hour begins with the versicle "O God, come to our aid: O Lord, make haste to help us" (Ps 69/70 v.2) The "Glory be to ...
The work is set as a falsobordone, a technique then commonly used for performing psalm tones in a polyphonic manner. Allegri's setting is based upon the Tonus peregrinus . Verses alternate between a five-part setting sung by the first choir (verses 1, 5, 9, 13, 17) and a four-part setting sung by the second (verses 3, 7, 11, 15, 19 ...
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