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Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Messiah (HWV 56) [1] [n 1] is an English-language oratorio composed in 1741 by George Frideric Handel.The text was compiled from the King James Bible and the Coverdale Psalter [n 2] by Charles Jennens.
Handel's earliest datable composition. In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 2 388 B-flat major c. 1717–1718 1733 Opus 2 No. 3 In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 4. The finale appears in the overture to Athalia (HWV 52) 389 F major c. 1718–1722 1733 Opus 2 No. 4
For Messiah, Handel used the same musical technique as for those works, namely a structure based on chorus and solo singing. The orchestra scoring is simple. Although Handel had good string players at his disposal for the Dublin premiere, [6] he may have been uncertain about the woodwind players who might be available.
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel's setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Date: 1 January 1953: Source: Westminster/Deutsche Grammophon: Author: Hermann Scherchen, conductor; London Symphony Orchestra; London Philharmonic Choir; Margaret ...
[3] [5] From a Magnificat setting by Dionigi Erba, Handel took most or part of the music for "He rebuked the Red Sea," "The Lord is my Strength," "He is my God," "The Lord is a Man of War," "The depths have covered them/Thy right Hand, o Lord," "Thou sentest forth thy wrath," "And with the blast of thy nostrils," "Who is like unto Thee," and ...
Mozart first heard Handel's Messiah in London in 1764 or 1765, and then in Mannheim in 1777. The first performance, in English, in Germany was in 1772 in Hamburg. [1] Carl Philipp Emanuel Bach was the first to perform the oratorio in German: he presented it in 1775 in Hamburg, with a libretto translated by Friedrich Gottlieb Klopstock and Christoph Daniel Ebeling, followed by repeat ...
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