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Mermaid (Danish: (En) Havfrue), painted in 1873, is the last of at least four oil on canvas paintings of mermaids painted by the Polish-Danish painter Elisabeth Jerichau-Baumann. It depicts a mermaid with a melancholic facial expression, leaning against a rock in shallow water, with a night sky residing over a moonlit sea in the background.
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The painting is a composition of two figures with rocks and the sea. A young Sicilian fisherman slipping asleep down a rock into the tide is grasped round the neck by a water-nymph. He is swarthy in complexion, with dark curly hair, and nude save only for a crimson loin-cloth, his purple drapery being cast aside upon the grey rocks.
The most controversial aspect of Waterhouse's painting was his depiction of the Sirens, as it differed greatly from contemporary Victorian era conceptions. While many of the original audience had expected to see the Sirens as mermaid -like nymphs , they were surprised to find them as bird-like creatures with women's heads. [ 1 ]
The Unwelcome Companion: A Street Scene in Cairo: 1873: Towneley Hall Art Gallery & Museum, Burnley: In the Peristyle: 1874: Rochdale Art Gallery, Rochdale: La Fileuse: 1874: private collection: Sleep and His Half-Brother Death: 1874: private collection: Miranda: 1875: private collection (assumed) Two Little Italian Girls by a Village: c. 1875 ...
Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
The painting depicts a group of Oceanids—ocean nymphs from Greek mythology—gathered at a rock in the ocean. The nude Oceanids lie on the rock or in the water in contorted positions; a group of them circle in the sky on the right side of the picture. The water is foaming and there are dark clouds in the sky.
Woodward's emphasis was less on the psychology of the human subject and more on the effects of light and color in the scene. [14] Later, she became known for her summer beach scenes along the New England shore. [9] She painted many beach scenes and airy landscapes focusing on the play of light and shadow. [9]
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