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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
Built around the second or first century BC, the marble statue is 49 cm in height (or about 1/2 life-size), with an additional 12 cm-tall base (or 61 cm in total). [3] The base, although ancient, probably did not belong originally to this sculpture, and the crystalline-white marble was probably sourced from the island of Paros . [ 1 ]
The Veiled Virgin is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875) [2] depicting the bust of a veiled Virgin Mary. [3] The exact date of the statue's completion is unknown, but it was probably in the early 1850s. [4] The veil gives the appearance of being translucent, but is carved of marble
The marble base of Lartos was certainly made in Rhodes, where there are parallels. Moreover, the Rhodian sculpture in large marble is of high quality, [66] without being exceptional for its time, but there are no parallels for the virtuosity of the Nike, which remains unusual. The sculptor could also come from elsewhere, as was common in the ...
The sculpture is made up of two traditional Chinese lions made of white marble, situated on white marble bases. Each lion is approximately 53 inches in height, 24.5 inches wide and 38 inches deep. Each base is approximately 36 inches in height, 24.5 inches wide, and 38 inches deep. Each sculpture is four tons.
The Sleeping Hermaphrodite is an ancient marble sculpture depicting Hermaphroditus life size. In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of ...
The two sculptures matched the inscription found on the blocks, discovered at the church of Panagia, located just 200 meters (660 ft) from where the statues were excavated. [ 8 ] In the lower part of the statues an irregular ring of lead was discovered; based on this mass of lead a comparison was made between the statues and the block of marble.
The need for extensive trade arose due to this imbalance, leading to the widespread exchange of marble objects, including building elements, sculptures, and sarcophagi. There was a significant increase in the distribution of white marble from the late 1st century BC to the end of the 2nd century AD.
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