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Within the academic discipline of cultural anthropology, according to the OED, matriarchy is a "culture or community in which such a system prevails" [4] or a "family, society, organization, etc., dominated by a woman or women" without reference to laws that require women to dominate. [4]
The Serer people of Senegal, Gambia, and Mauritania are bilineal, but matrilineality (tiim, in Serer) is very important in their culture, and is well preserved. [2] [3] There are a multitude of Serer maternal clans with their various history and origins.
A matriarchal religion is a religion that emphasizes a goddess or multiple goddesses as central figures of worship and spiritual authority. The term is most often used to refer to theories of prehistoric matriarchal religions that were proposed by scholars such as Johann Jakob Bachofen , Jane Ellen Harrison , and Marija Gimbutas , and later ...
In fact, it is not easy to categorize Mosuo culture within traditional anthropological categories. They have aspects of a matriarchal culture: women are often the head of the house, inheritance is through the female line, and women make business decisions. However, unlike a matriarchy, the political power tends to be in the hands of males. [5]
However, for many years cross-cultural tests of this hypothesis using worldwide samples failed to find any significant relationship between these two variables. On the other hand, Korotayev 's tests have shown that the female contribution to subsistence does correlate significantly with matrilocal residence in general; however, this correlation ...
Matrilineality is the tracing of kinship through the female line. It may also correlate with a social system in which each person is identified with their matriline, their mother's lineage, and which can involve the inheritance of property and titles.
Culture: representation of women in different cultural contexts; The idea that patriarchy is natural has, however, come under attack from many sociologists, explaining that patriarchy evolved due to historical, rather than biological, conditions.
The third gender role of nádleehi (meaning "one who is transformed" or "one who changes"), beyond contemporary Anglo-American definition limits of gender, is part of the Navajo Nation society, a "two-spirit" cultural role. The renowned 19th-century Navajo artist Hosteen Klah (1849–1896) is an example. [32] [33] [34]