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On the output side, it can send audio data directly to an audio device for playback, or to a Raw or Wave file. It can also convert a SMF file directly to an audio file in faster-than-real-time. [2] The combination of these features gives FluidSynth the following major use cases: Synthesizing MIDI data from another application directly to the ...
An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.
a cross-platform, open-source C language library for real-time audio & midi I/O MIT License: PulseAudio: Yes Yes Yes (Solaris, FreeBSD, NetBSD) Yes a sound server for general desktop and multihost LAN applications LGPL-2.1-or-later: sndio: Yes No Yes (FreeBSD, NetBSD, OpenBSD) No sound and MIDI server ISC
Renoise currently runs under recent versions of Windows (DirectSound or ASIO), Mac OS X and Linux (ALSA or JACK). [4] [5] Renoise has full MIDI and MIDI sync support, VST 3 plugin support, [6] ASIO multi I/O cards support, integrated sampler and sample editor, internal real-time DSP effects with unlimited number of effects per track, master and send tracks, full automation of all commands, Hi ...
Full-featured GUI MIDI sequencer with notation screen (requires supplied Anastasia TrueType or Type1 font), event editor, MCI, SMPTE sync., etc. Tested to work under Win 10 1903. MIDI Converter Studio: Windows: Shareware: ManiacTools: MIDI file converter, karaoke converter. MidiEditor: Linux, Windows: GPL-2.0-or-later: Markus Schwenk: Piano roll
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) [1] for Microsoft Windows and macOS. [2] It is used for music creation and production, sound for picture (sound design, audio post-production and mixing) [3] and, more generally, sound recording, editing, and mastering processes.
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ReWire is a software protocol, jointly developed by Propellerhead and Steinberg, allowing remote control and data transfer among digital audio editing and related software. Originally appearing in the ReBirth software synthesizer in 1998, the protocol has since evolved into an industry standard.