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French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
Other gilding processes involved using the gold as pigment in paint: the artist ground the gold into a fine powder and mixed it with a binder such as gum arabic. The resulting gold paint, called shell gold, was applied in the same way as with any paint. Sometimes, after either gold-leafing or gold-painting, the artist would heat the piece ...
The paint may be applied to a surface using either a brush or the tip of a finger, and can be "reactivated" by only the moisture in an exhaled breath of air. [ 2 ] Shell gold and powdered gold are the two principal forms of gold used for making repairs in a surface which has been previously gilded but has been damaged.
Metallic paint, which may also be called metal flake (or incorrectly named polychromatic), is a type of paint that is most common on new automobiles, but is also used for other purposes. Metallic paint can reveal the contours of bodywork more than non-metallic, or "solid" paint. Close-up, the small metal flakes included in the paint create a ...
Consequently in art and in heraldry one would normally use a metallic paint that glitters like a real metal. Especially in sacral art in Christian churches, real gold (as gold leaf) was used for rendering gold in paintings, e.g. for the halo of saints. Gold can also be woven into sheets of silk to give an East Asian traditional look.
The gold-gilded background exults the theological figures into a supreme realm. Each biblical story in the painting is inlaid with gold. The traditional style is often continued in the Greek world until today. [29] Whistlejacket, George Stubbs, c. 1762. In later periods of European art, the style was sometimes revived, usually just with gold paint.
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