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An artist working on a watercolor using a round brush Love's Messenger, an 1885 watercolor and tempera by Marie Spartali Stillman. Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French:; from Italian diminutive of Latin aqua 'water'), [1] is a painting method [2] in which the paints are made of pigments suspended in a water-based ...
Light Coming on the Plains is the name of three watercolor paintings made by Georgia O'Keeffe in 1917. They were made when O'Keeffe was teaching at West Texas State Normal College in Canyon, Texas. [1] They reflect the evolution of her work towards pure abstraction, and an early American modernist landscape. They were unique for their time.
Kandinsky's preliminary study was his first abstract watercolor. Untitled (Study for Composition VII, Première abstraction), painted in 1913, [2] is one of the first artworks to emerge from the representational tradition of Western European painting entirely, shedding references to well known forms, conventions of material representation and all narrative allusions.
Marin was among the first American artists to make abstract paintings. [11] Marin is often credited with influencing the Abstract Expressionists . His treatment of paint—handling oils almost like watercolors—his forays into abstraction, and his use of evocative stretches of bare canvas caught the eye of younger painters. [ 12 ]
He also exhibited his paintings at several other galleries around the country. [4] [5] [11] [12] Betts wrote that he had a "split personality" in that his realistic watercolors were thoroughly planned out in advance whereas his abstract acrylics were developed intuitively with no preconceived idea as to what the final result would be. [9]
The Henri Matisse paintings French Window at Collioure, and View of Notre-Dame, [23] both from 1914, exerted tremendous influence on Richard Diebenkorn's Ocean Park paintings. According to art historian Jane Livingston, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966, which enormously affected him and his work. [24]
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