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The carvings of the deity Mangala is in typical Odia style, having khilana & prabha back to her sitting place. The architecture of temple is a typical example of Utkaliya Peedha Vimana Style . There is a bed made of solid stone on which it is said Maa Mangala rests after touring the entire universe every day.
A literary digital magazine, Banamallira Mahak, [4] based upon Odia literature and culture has been published in Mangalajodi. Banamallira Mahak is a non-profit digital web magazine, whose aim is to store and promote Odia literature worldwide. A digital platform for self expression by the writers, their literary creativity and thoughts round the ...
The Maa Jhanjiri Mangala Temple, or Jhanjiri Mangala Mandir is an ancient Hindu mandir (temple) dedicated to Mangala (Maa Mangala ), the presiding deity of the Cuttack City in Odisha, India. One of numerous temples in Cuttack, [ 1 ] it is located at the area of Jhanjiri Mangala and is known also as Mangala Temple at Jhanjirimangala Square .
Mangala Temple was constructed in the 19th century CE and is located in Village Patia in Bhubaneswar, the capital of Odisha. The enshrined deity is the four-armed Mangala . The deity holds a conch in her upper right hand and a wheel in her lower left hand.
Bata Mangala Temple is a temple dedicated to the Hindu Goddess Mangala. The temple is located 7 km away from the Hindu Holy town of Puri in the state of Odisha, India. [1] The temple is revered by devotees on the way to the nearby Jagannath Temple. It is customary that devotees pray in this temple before they proceed to the Jagannath Temple.
Since ancient times, it is the most common epithet used for the Goddess. Within the Devi Mahatmya, Chandi, Chandika, Ambika, and Durga are often used interchangeably to refer to the Supreme Goddess in the sect. [3] [page needed] Alongside the Sri Vidhya mantras, it is one of the principal mantras in Shakti worship.
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Mangala Gujjari (Odia: ମଙ୍ଗଳ ଗୁଜ୍ଜରୀ, romanized: mangala gujjari) is a rāga belonging to the tradition of Odissi music. [1] [2] [3] Falling under the meḷa Karnāta, [4] the raga uses komala rusabha, komala gandhara, komala dhaibata and komala nisada swaras along with their suddha counterparts and is traditionally associated with the karuṇa rasa. [5]