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Lyme Art Association (LAA) is a nonprofit art organization established in 1914, with roots going back to 1902. The LAA maintains a historic art gallery located at 90 Lyme Street in the Old Lyme Historic District , Old Lyme, Connecticut.
Tosca Olinsky (1909–1984) was an American artist known for her realist still life and figure paintings. Critics described her work as conservative and, as one said, falling between the extremes of a meticulous accuracy of illustration, on the one hand, and "the sketchy contrivance of an illusionistic picture", on the other. [1]
He owned two properties – one in Lyme on Grassy Hill Road in 1907 and the second in Old Lyme on Sill Lane in 1915. Ramsdell became a member of the Impressionist Old Lyme Art Colony in 1907, and the Lyme Art Association , exhibiting with them between 1907 and 1915.
Florence Ann Griswold (December 25, 1850 – December 6, 1937) was a resident of Old Lyme, Connecticut, United States who became the nucleus of the "Old Lyme Art Colony" in the early 20th century. Her home has since been made into the Florence Griswold Museum , a National Historic Landmark .
Aug. 8—OLD LYME — Dressed in top hats, flapper dresses and fascinators, members of the Lyme Art Association recreated the Roaring '20s on Saturday afternoon to celebrate the association's ...
The main street of the town, Lyme Street, is a historic district with several homes once owned by sea captains. The town has had for many years a thriving art community. Its principal institutions include the Florence Griswold Museum, the Lyme Art Association, and the Lyme Academy of Fine Arts. Several seasonal beach communities are in Old Lyme ...
Wiggins began teaching art in Essex, Connecticut, in 1937. [3] He did a portrait of President Dwight D. Eisenhower and gave it to the White House in 1959. [4] [5] Wiggins served as the president of the Connecticut Academy of Fine Arts. [1] He was a member of the National Academy of Design, the New Haven Paint and Clay Club, and the Lyme Art ...
He joined the Lyme Art Colony in the early 1900s. His most active period, though, came after 1920, when for more than a decade he did oil sketches of woods, meadows, and hills. He developed into a Tonalist painter under the influence of Jean-Charles Cazin at Grez-sur-Loing. Crane's mature works were nearly always fall and winter scenes.