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Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Onomastics has applications in data mining, with applications such as named-entity recognition, or recognition of the origin of names. [ 1 ] [ 2 ] It is a popular approach in historical research, where it can be used to identify ethnic minorities within populations [ 3 ] [ 4 ] and for the purpose of prosopography .
While The Symbolist Movement in Literature was first published in monograph book form in 1899, its origins can be traced back to previous essays and articles published by Symons. In 1893, Symons' article The Decadent Movement in Literature appeared in the November volume of Harper's New Monthly Magazine. This ten page article touched on many of ...
Arthur Symons, a British poet and literary critic contemporary with the movement, at one time considered Decadence in literature to be a parent category that included both Symbolism and Impressionism, as rebellions against realism. He defined this common, decadent thread as "an intense self-consciousness, a restless curiosity in research, an ...
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are ...
In Elizabethan literature many of the characters in Edmund Spenser's enormous epic The Faerie Queene, though given different names, are effectively personifications, especially of virtues. [36] The Pilgrim's Progress (1678) by John Bunyan was the last great personification allegory in English literature, from a strongly Protestant position ...
Edith Nesbit's famous children's novel The Phoenix and the Carpet is based on this legendary creature and its friendship with a family of children. In the Vermilion Bird, a mystical Phoenix symbol represents of Four Symbols of the Chinese constellations. D. H. Lawrence frequently used the phoenix as a symbol for rebirth in life.