Search results
Results from the WOW.Com Content Network
Om Namo Narayanaya (Sanskrit: ॐ नमो नारायणाय, romanized: Om Namo Nārāyanāya, lit. 'I bow to the Ultimate Reality, Narayana'), [ 1 ] also referred to as the Ashtakshara (eight syllables), and the Narayana Mantra , is among the most popular mantras of Hinduism , and the principal mantra of Vaishnavism . [ 2 ]
The Upanishad thereafter glorifies Narayana, by stating that "Om Namo Narayana" is the means to cross from mundane world into spiritual world (Taraka). [4] Om in this mantra is Atman (self, soul) asserts the text, Namah represents Prakriti (nature, changing reality), and Narayana is the nature of Parabrahman (supreme Brahman). [4]
Ram Narayan performs Jog at the Shiraz Arts Festival in Iran in the 1970s. Jog is a Raga in Hindustani classical music. It is one of the more popular ragas appearing often in films. Sometimes, experts assign this raga to be a member of Kafi thaat.
Chapters 3 and 4 state that studying the Narayana Upanishad is the path to fearless life, achieving immortality, becoming a part of Brahman. The mantra to study, states the text, is Om Namo Narayanaya, which is of 1-2-5 syllable construct, which when studied delivers one a long life and all material and non-material desires. [5]
Narayana (Sanskrit: नारायण, IAST: Nārāyaṇa) is one of the forms and epithets of Vishnu. In this form, the deity is depicted in yogic slumber under the celestial waters , symbolising the masculine principle and associated with his role of creation.
Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi: Ābhēri / Bhimpalasi: Tumhi Ne Mujhko Prem Sikhya Manmohan (film) Ashok Ghosh Surendra (actor) & Bibbo (actress) Hindi: Ābhēri / Bhimpalasi ...
The second khanda begins with the mala-mantra ("garland-mantra") of Dattatreya, "Om Namo Bhagavate Dattatreyaya ...", which is prescribed to be used in japa. The hymn says that Dattatreya is propitiated easily by simply remembrance. He is the "dispeller of great fears", giver of great knowledge and who dwells in Consciousness and Bliss.
Chitrapu Narayana Rao, who directed the 1942 film, approached Meiyappan in May 1965 and asked to direct a film. Meiyappan signed him as director for Bhaktha Prahlada, since Narayana Rao was in financial straits due to the failure of his Krishna Kuchela (1961). [2] S. Rajeswara Rao composed the film's soundtrack and background score. A.