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An accordionist. Accordions (from 19th-century German Akkordeon, from Akkord —"musical chord, concord of sounds") [1] are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame).
The accordion is popular among folk punk and folk rock bands who perform music from countries that often use the accordion, such as in the subgenres of celtic punk and gypsy punk. Such bands include The Dreadnoughts, Gogol Bordello, the Zydepunks, and Flogging Molly. The accordion has been a primary instrument in Mexican music.
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Uniquely, O'Brien and Cooley imitated the violin or flute style of playing, a slow unaccented smooth performance. It was the introduction of legato playing to the accordion. It was completely divorced from the tradition of Irish accordion playing in the States which took into consideration the mechanics of the instrument. [citation needed]
In Ireland, melodeon (Irish: mileoidean or an bosca [2]) is reserved for instruments with a single row of melody buttons (a "one-row" instrument), while instruments with two or three rows are called button accordions (often simply accordions). [3] In North America, both one-row and multi-row instruments are usually simply called accordions.
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
Anthony Galla-Rini (January 18, 1904 – July 30, 2006) was an American accordionist, arranger, composer, conductor, author, and teacher, and is considered by many to be the first American accordionist to promote the accordion as a legitimate concert instrument.
The heyday of the "Flutina" was approximately from 1840 to 1880. In the United States of America, the more robust steel-reeded German Melodians "won out" over these brass-reeded, soft, and delicate "accordion melodiques". French "accordion" manufactures nearly came to an end during the Franco-Prussian War 1870-71. From 1880 on, the Italian ...