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Mary J. A. Wurm (her surname was originally Würm) (18 May 1860 in Southampton – 21 January 1938 in Munich) was an English pianist and composer. [ 1 ] Life and career
George Antheil, Sonata, for trumpet and piano, W. 143; Leonard Bernstein, Rondo for Lifey for trumpet and piano; Larry Bitensky, From Those Beginning Notes of Yearning for trumpet and piano; Vladislav Blazhevich, Concerto No. 5 for trumpet and piano; Scherzo for trumpet and piano. Rory Boyle, 4 Bagatelles for trumpet and piano
Marc-André Hamelin (born 1961): twelve études in minor keys, and an étude after Rimsky-Korsakov (which was the previous 1st piece of the 12 études set, but it was replaced by the Triple Étude after Chopin-Godowsky) Lowell Liebermann (born 1961): Etudes on Brahms Songs Op.88 (2004), Etudes on Songs of Robert Franz Op.91 (2005)
The piece is marked Allegro assai and is written in 2 4 meter. It is the shortest of Chopin's études, lasting under a minute played at the indicated tempo. The melody is created by playing a detached octave, then two non-detached octaves. This makes a four-note group, the structure of which is used during the whole piece to convey the melody.
Sheet music Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet , cornet , and other brass instruments . The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
As the name implies, this etude consists of clusters of four notes in both hands which require the pianist to "jump" up and down the keyboard rapidly 20: Con fantasia: 5:24: Fredrik Ullén: 7/9/2003: This nocturne-like slower etude consists of a melody in the right hand with wispy, complex rhythms against simple arpeggios and chords in the left ...
Einojuhani Rautavaara's six Etydit (Études), Op. 42 were composed in 1969. According to the composer, the intent in writing these works, each of which explores a single interval, was to "...reintroduce a sonorous, broad piano style using the entire compass of the keyboard, presenting this wonderful instrument in its full abundance."
This was of 'studies' in the sense that the term had assumed in Frédéric Chopin's Op. 10, that is to say, concert pieces in which the investigation of possibilities of technique and timbre in writing for the piano is carried out; they are 'symphonic études' through the wealth and complexity of the colours evoked – the keyboard becomes an ...
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