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Brandt's 34 Orchestral Etudes (34 Studies for Trumpet) is an important study material for modern trumpet players. His Last Etudes (The Last Studies) serve a similar purpose. His two Concert Pieces (Konzertstücke Opp. 11–12) for trumpet and piano are also widely performed today. Country Pictures is a notable quartet for trumpets or horns from ...
Solo Pieces No. Clarke's Title Clarke's Subtitle Written Keys Meters 1: The Bride of the Waves: Polka Brillante Concert Adaptation: F major and B ♭ major: and 2 4: 2: The Harp That Once Thro' Tara's Halls: Cornet Solo with Variations: F major: 3: Sounds from the Hudson: Valse Brillante Concert Adaptation: G major, C major, and F major: 3 4: 4 ...
The trumpet repertoire consists of solo literature and orchestral or, more commonly, band parts written for the trumpet.Tracings its origins to 1500 BC, the trumpet is a musical instrument with the highest register in the brass family.
Marc-André Hamelin (born 1961): twelve études in minor keys, and an étude after Rimsky-Korsakov (which was the previous 1st piece of the 12 études set, but it was replaced by the Triple Étude after Chopin-Godowsky) Lowell Liebermann (born 1961): Etudes on Brahms Songs Op.88 (2004), Etudes on Songs of Robert Franz Op.91 (2005)
Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments. The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
The piece is marked Allegro assai and is written in 2 4 meter. It is the shortest of Chopin's études, lasting under a minute played at the indicated tempo. The melody is created by playing a detached octave, then two non-detached octaves. This makes a four-note group, the structure of which is used during the whole piece to convey the melody.
The authors of The Penguin Guide to Jazz Recordings wrote: "solo trumpet is a touch discipline for a record, and it's to Hugh's credit that he makes this set as engaging to a listener as it is." [5] Ken Waxman of JazzWord described Ragin as a "consummate trumpet technician," and stated: "The most interesting pieces... are two of the longest ...
The first piece is in A minor and begins dreamily with hints of melancholy, but concludes with a resolution and hope in A major, looking forward to the next movement.. The second piece is in A major and is playful, upbeat, energetic and positive, with a central section modulating to F major with chromatic triplets in dialogue with the piano.
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