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  2. Aquatint - Wikipedia

    en.wikipedia.org/wiki/Aquatint

    Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. [ 1 ]

  3. Martin Barooshian - Wikipedia

    en.wikipedia.org/wiki/Martin_Barooshian

    These have included woodcuts, lithographs, etchings and engravings with aquatint and soft ground, monotypes, gouache and watercolor paintings, and oils. He is also known for his technical skill and innovation. [2] [3] Martin Barooshian. Love Scene from Faust, 1956. Engraving, aquatint, and soft ground. 12 x 15 3/8 in.

  4. European printmaking in the 20th century - Wikipedia

    en.wikipedia.org/wiki/European_printmaking_in...

    The most commonly used graphic methods were woodcut, lithography, etching and silkscreen printing, and new techniques such as color aquatint were developed. [2] The offset printing also emerged, which revolutionized graphic art. Offset is a process similar to lithography, consisting of applying an ink on a metal plate, usually aluminum.

  5. The Coiffure - Wikipedia

    en.wikipedia.org/wiki/The_Coiffure

    The Coiffure (known as La Coiffure in French) is a drypoint and aquatint print by the American printmaker and painter Mary Cassatt. Made in 1890–1891, the work was inspired by Cassatt's attendance of an exhibition of Japanese woodblock prints , known as Ukiyo-e .

  6. Printmaking - Wikipedia

    en.wikipedia.org/wiki/Printmaking

    Woodcut, a type of relief print, is the earliest printmaking technique. It was probably first developed as a means of printing patterns on cloth, and by the 5th century was used in China for printing text and images on paper. [1] Woodcuts of images on paper developed around 1400 in Europe, and slightly later in Japan. [2]

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  8. Etching - Wikipedia

    en.wikipedia.org/wiki/Etching

    This process is called aquatint, and allows for the creation of tones, shadows, and solid areas of color. The design is then drawn (in reverse) with an etching-needle or échoppe. An "echoppe" point can be made from an ordinary tempered steel etching needle, by grinding the point back on a carborundum stone, at a 45–60 degree angle.

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