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Copedent is a term used to describe the tuning and pedal arrangement on a pedal steel guitar and is unique to that instrument. Typically expressed in the form of a table or chart, the word is a portmanteau of " c h o rd– ped al–arrangem ent and is pronounced "co-PEE-dent". [ 1 ]
The first use of pedals on a pipe organ grew out of the need to hold bass drone notes, to support the polyphonic musical styles that predominated in the Renaissance. Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2]
Another form of coupler found on some large organs is the divided pedal. This is a device that allows the sounds played on the pedals to be split, so the lower octave (principally that of the left foot) plays stops from the pedal division while the upper half (played by the right foot), plays stops from one of the manual divisions.
Modern pianos usually have three pedals, from left to right, the soft pedal (or una corda), the sostenuto pedal, and the sustaining pedal (or damper pedal). Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano .
Certain players prefer different setups regarding which function the pedals and levers perform, and which string tuning is preferred. In the early 1970s, musician Tom Bradshaw coined the term copedent (/ k oʊ ˈ p iː d ə n t / koh-PEE-dənt), a portmanteau of "chord-pedal-arrangement". Often represented in table form, it is a way of ...
In recent years, performance of works for the pedal piano on that instrument, as opposed to on organ, has increased. Recent performers on the pedal piano include the American organist and pianist Dana Robinson, [9] [10] Jean Dubé, Olivier Latry, the American organist Peter Sykes, the German organist Martin Schmeding, the Slovenian organist and harpsichordist Dalibor Miklavčič, the American ...
Rackmount effects units are controlled by knobs, switches or buttons on their front panel, and often remote-controllable by a MIDI digital control interface or pedal-style foot controller. [17] Rackmount effects units are most commonly used in recording studios and front of house live sound mixing situations. Musicians may use them in place of ...
The effect (now named Uni-Vibe) was modified to have easier access to its fuse, and a speed control foot pedal was added. It was later released in North America by Univox in 1968. [1] [3] It is commonly thought the Uni-Vibe is intended to emulate the "Doppler sound" of a Leslie speaker. However Fumio Mieda revealed in an interview the effect ...