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In the case of interest rates, a very common but ambiguous way to say that an interest rate rose from 10% per annum to 15% per annum, for example, is to say that the interest rate increased by 5%, which could theoretically mean that it increased from 10% per annum to 10.5% per annum.
In English usage, the colon is restricted to the concept of ratios ("a is to b"). In an equation a ÷ b = c {\displaystyle a\div b=c} , a is the dividend, b the divisor, and c the quotient. Division by zero is considered impossible at an elementary arithmetic level.
A ratio r=a/b has both a numerator "a" and a denominator "b". The value of a and b may be a real number or integer. The inverse of a ratio r is 1/r = b/a. A rate may be equivalently expressed as an inverse of its value if the ratio of its units is also inverse. For example, 5 miles (mi) per kilowatt-hour (kWh) corresponds to 1/5 kWh/mi (or 200 ...
In statistics, a k-th percentile, also known as percentile score or centile, is a score (e.g., a data point) below which a given percentage k of arranged scores in its frequency distribution falls ("exclusive" definition) or a score at or below which a given percentage falls ("inclusive" definition); i.e. a score in the k-th percentile would be above approximately k% of all scores in its set.
In epidemiology, a rate ratio, sometimes called an incidence density ratio or incidence rate ratio, is a relative difference measure used to compare the incidence rates of events occurring at any given point in time.
For example, uncompressed songs in CD format have a data rate of 16 bits/channel x 2 channels x 44.1 kHz ≅ 1.4 Mbit/s, whereas AAC files on an iPod are typically compressed to 128 kbit/s, yielding a compression ratio of 10.9, for a data-rate saving of 0.91, or 91%.
The intervals of 5-limit just intonation (prime limit, not odd limit) are ratios involving only the powers of 2, 3, and 5. The fundamental intervals are the superparticular ratios 2/1 (the octave), 3/2 (the perfect fifth) and 5/4 (the major third). That is, the notes of the major triad are in the ratio 1:5/4:3/2 or 4:5:6.
Notes that sound well together to a Western ear are sounds whose fundamental frequencies of vibration are in simple ratios. For example, an octave doubles the frequency and a perfect fifth multiplies it by 3 2 {\displaystyle {\frac {3}{2}}} .
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