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"Blue Is the Colour" is a terrace chant associated with Chelsea Football Club. It was performed by players from the Chelsea squad and released in 1972 to coincide with the club's ultimately unsuccessful appearance in that year's League Cup Final against Stoke City.
Blue Is the Colour is the fifth studio album from English band the Beautiful South, released in October 1996 through Go! Discs and in America through Ark 21 Records.The album was released following the two singles "Pretenders to the Throne" and "Dream a Little Dream", which never featured on any album until the release of the second greatest hits Solid Bronze in 2001.
This melody was used in the Folk Songs song cycle by Luciano Berio. [2] The song has become a part of the traditional repertory of Celtic music artists. The song was collected as "Black is the color" by Cecil Sharp and Maud Karpeles in 1916 from Mrs Lizzie Roberts, it is listed in English folk songs from the southern Appalachians (1917). [3]
"Blue Ain't Your Color" is a song recorded by New Zealand-born Australian country music singer Keith Urban, and written by Steven Lee Olsen, Hillary Lindsey and Clint Lagerberg. It was released on August 8, 2016, as the fourth single from Urban's 2016 album Ripcord .
"Colours" is a song written and recorded by British singer-songwriter Donovan for his second album, Fairytale. [2] "Colours" was released as a single in the United Kingdom on 28 May 1965 through Pye Records (Pye 7N 15866) and a few months later in the United States through Hickory Records (Hickory 45-1324).
The 1996 album Blue Is the Colour sold over a million copies, and featured hit singles "Rotterdam" and "Don't Marry Her". In 1997, the Beautiful South headlined stadium concerts for the first and last time, in Huddersfield and at Crystal Palace National Sports Centre in London.
In honor of National Comedy Month, theGrio ranks the best music spoofs from the classic Fox sketch show “In Living The post Top 10 ‘In Living Color’ music parodies appeared first on TheGrio.
"Color of the Blues" is considered one of Jones' greatest earlier works, and he often performed it live during the late 1950s. According to Rich Kienzle's liner notes of the 1994 Song retrospective The Essential George Jones: The Spirit of Country, Lawton Williams (who had composed Bobby Helms' 1957 honky-tonk smash "Fraulein") wrote the lyrics while Jones came up with the melody and title.