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In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected ...
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera or work of musical theatre. [1]
The term was first used in 1768 by Jean-Jacques Rousseau, although the practice was used in music centuries earlier. [6] [7] Rousseau argues that “the [practice] remained longer in Church Music, and, consequently, in Picardy, where there is music in a lot of cathedrals and churches,” and “the term is used jokingly by musicians”, suggesting it might have never had an academic basis, a ...
Taylor Swift is inspiring educators across the country to make learning fun — with singalongs, decor and much more. (Getty images; Instagram: @thirdgradethriving)
When it was used in the soundtrack of the 1940 movie Fantasia, Disney's version of the recording emphasised "two duns and a lingering duuun" at the end of a battle between dinosaurs. [1] An example is heard in the film Young Frankenstein, [1] with the chord progression rising and then falling instead of all three chords falling.
[4] [5] Music critic Jonathan Broxton reviewed "Glory is a cornerstone James Horner score, is an absolutely essential part of every discerning fan’s collection". [6] James Southall of Movie Wave wrote that Horner combines "the big emotions with a huge dramatic sweep" giving a 5-star rating to the album. [ 7 ]
Towards the end of the piece, Bach fills out the accompaniment in the final virtuosic semiquaver solo episode by adding imitative quaver figures in the lower parts. Williams (2003) compares the dramatic ending—with its chromatic fourths descending in the pedal part—to that of the keyboard Sinfonia in D minor, BWV 779.
Silent music (1941), by Raymond Scott (1909–1994) The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing, but the only sound from the stage was a rhythmic swish-swish from the trap-drummer, a froggy slap-slap from the bull ...