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  2. Blue note - Wikipedia

    en.wikipedia.org/wiki/Blue_note

    The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...

  3. Blue for You - Wikipedia

    en.wikipedia.org/wiki/Blue_for_You

    Blue for You is the ninth studio album by English rock band Status Quo. It was released in March 1976, and is the last album until 1980's Just Supposin' that the band produced themselves. Rick Parfitt 's " Rain ", the first single from the album, reached number 7 in the UK Singles Chart after its release in February 1976.

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    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  5. John Patton (musician) - Wikipedia

    en.wikipedia.org/wiki/John_Patton_(musician)

    John Patton (July 12, 1935 – March 19, 2002) [1] was an American jazz, blues and R&B pianist and organist often known by his nickname, Big John Patton.. Patton was one of the most in-demand organists during the golden era of the Hammond B-3 organs between 1963 and 1970.

  6. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    A major feature of the blues scale is the use of blue notes—notes that are played or sung microtonally, at a slightly higher or lower pitch than standard. [5] However, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale. [6]

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

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