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[3] [6] [7] "Police in Helicopter" was a condemnation of the Jamaican government's crackdown on marijuana plantations. [11] The cover to the album single pictured Holt growing locks and a beard, [12] an indication of the increasing importance of Rastafari in his life. [3]
The song was immediately prohibited from being played on RTÉ stations [1] or was severely restricted, [2] sources vary. Despite that, the song sold 12,000 single records in the first week of release, taking it to the number one position in the Irish Singles Chart on 22 November 1973, and held that position for four weeks, [1] until it was replaced by Slade's Merry Christmas Everybody.
The song follows a police officer stationed at Ground Zero [41] "Anniversary" The song is set in New York City on the one-year anniversary of the September 11 attacks and discusses how New Yorkers' lives have changed. [42] [43] "Zephyr and I" Refers to the "fireman’s monument, where all the fatherless teenagers go" [44] Velvet Revolver "Messages"
Scorsese chose the songs for Goodfellas only if they commented on the scene or the characters "in an oblique way". [1] The only rule he adhered to with the soundtrack was to only use music which could have been heard at that time, deciding that he could use any song released before the scene in which it played took place.
Stewart Copeland, founder and drummer of The Police, is teaming with Indian musician Ricky Kej on “Police – Beyond Borders” where the legendary rock band’s classic songs are recreated in ...
The song is composed in the key of F minor, with 155 beats per minute, and a running time of 3:45 minutes. [16] “Helicopter” is a trap pop EDM Powerhouse song with an addictive hook that is completely in English. The song plays on the themes of curiosity and adventure by telling listeners to “fly even higher than before” on a ...
A police helicopter that crashed at a South Carolina airport was missing a bolt that should have been removed and reinstalled during maintenance about six weeks earlier, federal officials said in ...
The song's satirical music video, [12] directed by Vaughan Arnell and filmed on 4 June 1998, features a police helicopter hovering over Los Angeles and shadowing various people, both gay and straight, kissing, having sex or engaging in foreplay, all in public.