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Juan Luna in his Paris studio. Spoliarium of Juan Luna displayed at Philippine National Museum of Fine Arts. In 1883, Luna commenced work on the painting commissioned by the Ayuntamiento. By May 1884, he dispatched the expansive canvas portraying the Spoliarium to Madrid for the annual Exposición Nacional de Bellas Artes. Remarkably, he became ...
Paintings by Philippine artist Juan Luna (1857 — 1899) Pages in category "Paintings by Juan Luna" The following 19 pages are in this category, out of 19 total. ...
The Odalisque is a famous 1885 painting [1] by award-winning Filipino painter and revolutionary activist Juan Luna.It is one of Luna's so-called "Academic Salon portraits" that followed the standards of proper proportion and perspective, and realistic depictions with "an air of dignity and allure".
The Battle of Lepanto (Spanish: La Batalla de Lepanto [1]) is a painting by Filipino painter [1] and revolutionary activist Juan Luna. Along with Félix Resurrección Hidalgo, Luna is one of the first Filipinos to excel and earn recognition in the international field of arts and culture. [2] [3] [4] [5]
Tampuhan, meaning "sulking", [1] is an 1895 classic oil on canvas impressionist painting by Filipino painter and revolutionary activist Juan Luna. It depicts a Filipino man and a Filipino woman having a lovers' quarrel.
The Parisian Life, also known as Interior d'un Cafi (also spelled Interior d’Un Café, [2] literally meaning "Inside a Café"), is an oil on canvas impressionist [3] painting made by Filipino painter and revolutionary activist Juan Luna in 1892. [4] The painting presently owned by the Government Service Insurance System is currently exhibited ...
España y Filipinas (“Spain and the Philippines") is a series of oil on wood paintings [1] [2] by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna.It is an allegorical depiction [3] of two women together, one a representation of Spain and the other of the Philippines. [4]
Filipino art experts, historians, and researchers have four theories on the identity of the sitter in Luna's La Bulaqueña despite the lack of any photographs. According to Emilio Aguilar Cruz, a columnist for the Philippine Daily Globe newspaper, the woman in the portrait could be a woman Luna had courted after losing his wife Paz Pardo de Tavera.
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