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Through this, Huitzilopochtli replaced Nanahuatzin, the solar god from the Nahua legend. Huitzilopochtli was said to be in a constant struggle with the darkness and required nourishment in the form of sacrifices to ensure the sun would survive the cycle of 52 years, which was the basis of many Mesoamerican myths.
Huitzilopochco (sometimes called Churubusco, and other variants) was a small pre-Columbian Nahua altepetl in the Valley of Mexico. [1] [2] Huitzilopochco was called one of the Nauhtecuhtli ("Four Lords"), alongside Culhuacan, Itztapalapan and Mexicatzinco. [3]
Huitzilopochtli was also a tribal god and a legendary wizard of the Aztecs. Originally he was of little importance to the Nahuas, but after the rise of the Aztecs, the Nahuals reformed their religion and put Huitzilopochtli at the same level as Quetzalcoatl and Tezcatlipoca, making him a solar god.
She subsequently gave birth to the god Huitzilopochtli. Her daughter the goddess Coyolxauhqui then rallied Coatlicue's four hundred other children together and goaded them into attacking and decapitating their mother. The instant she was killed, the god Huitzilopochtli suddenly emerged from her womb fully grown and armed for battle. [6]
Huitzilopochtli is raising up the skies of the South, one of the four directions of the world, surrounded by their respective trees, temples, patterns, and divination symbols. According to the legend, from the void that was the rest of the universe, the first god, Ometeotl , created itself.
Huitzilopochtli is the deity tied to the Mexica tribe and he figures in the story of the origin and migrations of the tribe. On their journey, Huitzilopochtli, in the form of a deity bundle carried by the Mexica priest, continuously spurs the tribe by pushing them into conflict with their neighbors whenever they are settled in a place.
The Nahui Ollin is composed of traditional Aztec ideologies, including the concepts of Tezcatlipoca, Quetzalcoatl, Huitzilopochtli, and Xipe Totec. The Nahui Ollin is used as a culturally responsive method of teaching and ultimately supporting the development of harmony and balance of the mind, body, spirit, and community. [9]
Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1] Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. [ 2 ]