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El baile flamenco is known for its emotional intensity, proud carriage, expressive use of the arms and rhythmic stamping of the feet, unlike tap dance or Irish dance which use different techniques. As with any dance form, many different styles of flamenco have developed.
Carmen Amaya (2 November 1918 – 19 November 1963) occasionally known by the stage name La Capitana, was a Spanish Romani flamenco dancer and singer, born in the Somorrostro district of Barcelona, Catalonia, Spain. She is often hailed as "the greatest Flamenco dancer ever" [1] and "the most extraordinary personality of all time in flamenco dance."
Encarnación López Júlvez, better known by her stage name, La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945), was a Spanish-Argentine flamenco dancer, choreographer and singer. La Argentinita was considered one of the highest expressions of this art form during her time.
Zambra (Spanish pronunciation:) (from Andalusi Arabic zamra, originally from classical Arabic zamr) is a style of flamenco dance, typical of the Roma of the provinces of Granada and Almería (Andalusia, Spain). It is believed that the zambra is a continuation of earlier Morisco styles of dance. It became typical during wedding ceremonies ...
Cristina Hoyos Panadero (born 13 June 1946) [1] is a Spanish flamenco dancer, choreographer and actress, born in Seville, Spain.After a successful worldwide career, she opened her own dance company in 1988 that premiered at the Rex Theatre in Paris.
It was 17 years ago when flamenco dancer Celia Fonta and her husband, guitarist Paco Fonta, organized the first Siempre Flamenco Festival de Cante Miami. Their mission was to present to Miami ...
The female dancer, leaning asymmetrically, is placed to imply forward motion, from left to right across the canvas. [5] She is wearing a large, embroidered shawl wrapped around her shoulders, illustrating common flamenco costuming. [9] The dancer's pose, with the outstretched left arm, is a depiction of standard flamenco dance technique and ...
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...
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