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Songs and Dances of Death (Russian: Песни и пляски смерти, Pesni i plyaski smerti) is a song cycle for voice (usually bass or bass-baritone) and piano by Modest Petrovich Mussorgsky, written in the mid-1870s, to poems by Arseny Golenishchev-Kutuzov, a relative of the composer.
It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Like most Liszt pieces, a number of versions exist. Next to Liszt's first version of the Totentanz a second De Profundis version was prepared from Liszt's manuscript sources by Ferruccio Busoni (1919). The standard version is the final and third version of the piece (1859). Liszt also wrote versions for two pianos (S.652) and solo piano (S.525).
Music of despair; Music of death; The first category contains pieces in which a troubled spirit seeks consolation in memories of the past. Liszt referred to this music as his "forgotten" pieces — sardonically referring to compositions forgotten before even played, with titles such as Valse oubliée, Polka oubliée and Romance oubliée. [23]
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
The piece was dedicated to Madame Viguier, a pianist and the wife of Alfred Viguier, the first violin in the Orchestre de la Société des Concerts du Conservatoire. In 1879, he orchestrated the piece with piccolo , flute , 2 oboes , 2 clarinets in A, 2 bassoons , 2 horns in D, 2 trumpets in A, 3 trombones , ophicleide , timpani , bass drum ...
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...