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Exhibit inside the Slavery Museum at Whitney Plantation Historic District, St. John the Baptist Parish, Louisiana. Following Robert Cavelier de La Salle establishing the French claim to the territory and the introduction of the name Louisiana, the first settlements in the southernmost portion of Louisiana (New France) were developed at present-day Biloxi (1699), Mobile (1702), Natchitoches ...
The French Creole raised-style [2] [3] main house, built in 1790, is an important architectural example in the state.The plantation has numerous outbuildings or "dependencies": a pigeonnier or dovecote, a plantation store, the only surviving French Creole barn in North America (ca. 1790), a detached kitchen, an overseer's house, a mule barn, and two slave dwellings.
Elihu Creswell (c. 1811 – June 19, 1851) was an "extensive negro trader" of antebellum Louisiana, United States.Raised in an elite family in the South Carolina Upcountry, Creswell eventually moved to New Orleans, where he specialized in "acclimated" slaves, meaning people who had spent most of their lives enslaved in the Mississippi River basin so they were more likely to have acquired ...
One of them, the Louisiana Slave Database, referenced by the Whitney Plantation, contains over 100,000 entries documenting people enslaved in Louisiana from 1719 to 1820. While there are no photos ...
Runaway slave ad in Louisiana, 1851. The first enslaved people from Africa arrived in Louisiana in 1719 on the Aurore slave ship from Whydah, only a year after the founding of New Orleans. [7] Twenty-three slave ships brought black slaves to Louisiana in French Louisiana alone, almost all embarking prior to 1730. [8]
Laura Plantation is a restored historic Louisiana Creole plantation on the west bank of the Mississippi River in Vacherie, Louisiana. [2] Formerly known as Duparc Plantation, it is significant for its early 19th-century Créole-style raised big house and several surviving outbuildings, including two slave cabins.
Slaves for Sale, 156 Common St., watercolor and ink by draftsman Pietro Gualdi, 1855 "A Slave Pen at New Orleans—Before the Auction, a Sketch of the Past" (Harper's Weekly, January 24, 1863) View of the Port at New Orleans, circa 1855, etching from Lloyd's Steamboat Directory 1845 map of New Orleans; the trade was ubiquitous throughout the city but especially brisk in the major hotels and ...
The NOAAM of Art, Culture and History seeks to educate and to preserve, interpret, and promote the contributions that people of African descent have made to the development of New Orleans and Louisiana culture, as slaves and as free people of color [1] throughout the history of American slavery as well as during emancipation, Reconstruction ...