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  2. The Phillips Collection - Wikipedia

    en.wikipedia.org/wiki/The_Phillips_Collection

    The Phillips Collection is an art museum founded by Duncan Phillips and Marjorie Acker Phillips in 1921 as the Phillips Memorial Gallery located in the Dupont Circle neighborhood of Washington, D.C. Phillips was the grandson of James H. Laughlin, a banker and co-founder of the Jones and Laughlin Steel Company.

  3. Category:Paintings in the Phillips Collection - Wikipedia

    en.wikipedia.org/wiki/Category:Paintings_in_the...

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  4. Duncan Phillips (art collector) - Wikipedia

    en.wikipedia.org/wiki/Duncan_Phillips_(art...

    Later that year, Phillips and his mother established The Phillips Memorial Gallery in their memory. It was the precursor of The Phillips Collection in Washington, DC. [3] Pierre-Auguste Renoir, Luncheon of the Boating Party, 1881, oil on canvas, 130.2 × 175.6 cm, one of the highlights of the Phillips Collection. Beginning with a small family ...

  5. Luncheon of the Boating Party - Wikipedia

    en.wikipedia.org/wiki/Luncheon_of_the_Boating_Party

    It was purchased from the artist by the dealer-patron Paul Durand-Ruel and bought in 1923 (for $125,000) from his son by industrialist Duncan Phillips, who spent a decade in pursuit of the work. [4] [5] It is now in The Phillips Collection in Washington, D.C. [2] It shows a richness of form, a fluidity of brush stroke, and a flickering light.

  6. Miss Amelia Van Buren - Wikipedia

    en.wikipedia.org/wiki/Miss_Amelia_Van_Buren

    Miss Amelia Van Buren or Portrait of Amelia C. Van Buren is a c. 1891 painting by the American artist Thomas Eakins (1844–1916), now in The Phillips Collection.It depicts Amelia Van Buren (c. 1856 – 1942), an artist who studied with Eakins, and was called "one of his most gifted pupils."

  7. The Blue Room (Picasso) - Wikipedia

    en.wikipedia.org/wiki/The_Blue_Room_(Picasso)

    The man is depicted in a seated position, with his right hand touching his cheek. In 2014, art experts from The Phillips Collection, the National Gallery of Art, Cornell University, and Winterthur Museum consolidated their research and concluded that Picasso had painted both images in haste in the summer of 1901. [4] [5]

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