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The Last Judgement is a triptych of oil paintings by the British artist John Martin, created in 1851–1853. ... The painting were exhibited in London in May 1855, ...
After Martin's death, his last pictures (including The End of the World) were exhibited in "London and the chief cities in England attracting great crowds". [12] The painting was engraved in 1854 (after Martin's death) by Thomas McLean, together with two other paintings by Martin, Plains of Heaven and The Last Judgment (a group of three ...
A Vision of the Last Judgement is a painting by William Blake that was designed in 1808 before becoming a lost artwork. The painting was to be shown in an 1810 exhibition with a detailed analysis added to a second edition of his Descriptive Catalogue .
During the last four years of his life Martin was engaged in a trilogy of large paintings of biblical subjects: The Last Judgment, The Great Day of His Wrath, and The Plains of Heaven, of which two were bequeathed to Tate Britain in 1974, the other having been acquired for the Tate some years earlier. They were completed in 1853, just before ...
The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich ...
Hereunto is annexed a ... Treatise of the Generall Signes ... of the Last Judgement,' London, 1608. 'The Worldes Resurrection, or the general calling of the Jewes. A familiar Commentary upon the eleventh Chapter of Saint Paul to the Romaines,' London, 1608 (with new title-page, London, 1609).
Doom or "the Doom" was a specific term for the Last Judgement and first cited to c. 1200 by the OED ("doom", 6), a sense surviving in this artistic meaning and in phrases such as the "crack of doom" and the word "doomsday", the latter going back to Old English. The original OED in the late 19th century already described this sense of "doom" as ...
According to Allen Debus, Tymme involved alchemical thinking in his theology, in particular of the Creation and Last Judgement. [3] A Dialogue Philosophicall . . . together with the Wittie Invention of an Artificiall Perpetual Motion, London, 1612. Discusses the perpetual motion machine of Cornelius Drebbel. [4]