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First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps, in death camps) and their works are a testimony to a powerful "urge to create." Such creative impulse can be ...
Claim to the Parke-Bernet auction house, New York The painting was confiscated in France during World War II; In 1969 it was auctioned in New York; its whereabouts are unknown. No returns, the auction house (now Sotheby's) did not disclose the name of the buyer. [237] Pierre-Auguste Renoir : Paysage pres de Cagnes. Oil on canvas, Richard Semmel
Rosenberg had a well-established art gallery that housed many famous works of art. He also had good connections with many famous painters including Braque, Matisse and Picasso. Because of these good connections, his art collection was a target for Nazi officials that were in charge of gathering art for Hitler's museum in Linz. [5]
Pages in category "World War II artists" The following 200 pages are in this category, out of approximately 273 total. This list may not reflect recent changes .
A number of Hitler's paintings were seized by the United States Army (some believed to still be in Germany) at the end of World War II. They were taken to the United States with other captured materials and are still held by the U.S. government, which has declined to allow them to be exhibited. [14] Other paintings were kept by private individuals.
The majority of World War II films are portrayed from the Allied perspective. Some exceptions include Das Boot (1981), Downfall (2004), Letters from Iwo Jima (2006), Stalingrad (1993), Joy Division (2006), and Cross of Iron (1977). World War II used to provide most of the material for the History Channel (United States).
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell.The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), [1] and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts.
The Commission for Art Recovery has characterized Switzerland as "a magnet" for assets from the rise of Hitler until the end of World War II. [13] Researching and documenting Switzerland's role "as an art-dealing centre and conduit for cultural assets in the Nazi period and in the immediate post-war period" was one of the missions of the ...