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The sense is this: 'As new wine, or must, by the violence of its fermenting spirit, and its heat, bursts the old skins, because they are worn and weak, and so there is a double loss, both of wine and skins; therefore new wine must be poured into new skins, that, being strong, they may be able to bear the force of the must: so in like manner ...
Into every life a little rain must fall; It ain't over till/until it's over; It ain't over till the fat lady sings; It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so; It goes without saying; It is a small world; It is all grist to the mill; It is an ill wind (that blows no one any good)
On 21 December 2004, archaeologists reported finding in Kafr Kanna "pieces of large stone jars of the type the Gospel says Jesus used when he turned water into wine". [30] But American scientists excavating the rival site of Khirbet Qana north of it, also claimed to have found pieces of stone jars from the time of Jesus. [ 30 ]
Jesus making wine from water in The Marriage at Cana, a 14th-century fresco from the Visoki Dečani monastery. Christian views on alcohol are varied. Throughout the first 1,800 years of Church history, Christians generally consumed alcoholic beverages as a common part of everyday life and used "the fruit of the vine" [1] in their central rite—the Eucharist or Lord's Supper.
"Cheap Wine" is a 1980 single from Australian rock band Cold Chisel. The second single from the album East , it was released in May, a month before the album. [ 2 ] It reached number 8 on the Australian charts, the band's first top-ten single, and would eventually remain the band's second highest chart performance. [ 3 ]
Wine was a religious focus in the cult of Dionysus and was his earthly incarnation. [13] Wine could ease suffering, bring joy, and inspire divine madness. [14] Festivals of Dionysus included the performance of sacred dramas enacting his myths, the initial driving force behind the development of theatre in Western culture. [15]
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Although referred to as a sonnet, the work does not follow the most common rhyming scheme of such works—a 14-line poem, consisting of an eight-line stanza followed by a six-line conclusion—but is instead 21 lines long, divided into three stanzas. "The Good-Morrow" is written from the point of view of an awaking lover and describes the lover ...