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Wieland is sometimes considered the first American Gothic novel. Wieland is often categorized under several sub-genres including gothic fiction, horror fiction, psychological fiction and epistolary fiction, which are listed at Project Gutenberg. Major themes include religious fanaticism, sensationalist psychology, and voice and perception.
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational , puritanism , guilt , the uncanny ( das unheimliche ), ab-humans , ghosts , and monsters .
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements such as hope and ...
Dostoyevsky's works explore the irrational, dark motifs, dreams, emotions and visions. He was an avid reader of the Gothic and enjoyed the works of Radcliffe, Balzac, Hoffmann, Charles Maturin and Soulié. Among his first Gothic works was The Landlady. The stepfather's demonic fiddle and the mysterious seller in Netochka Nezvanova are
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Since the 1980s Gothic horror fiction and urban Gothic in particular has revived as a genre, with series of novels like Anne Rice's Vampire Chronicles and Poppy Z. Brite's Lost Souls [11] both making New Orleans a key centre of Gothic fantasy. [12] Urban Gothic themes and images were also used in comics and graphic novels, including Frank ...
Gerald Clarke points out that within the story Randolph is the spokesperson for the novel's major themes. Clarke asserts that the four major themes of Other Voices, Other Rooms are "the loneliness that afflicts all but the stupid or insensitive; the sacredness of love, whatever its form; the disappointment that invariably follows high ...