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[64] [65] The "Yellow Submarine" single was the Beatles' thirteenth single release in the United Kingdom and the first to feature Starr as lead vocalist. [66] It was issued there on 5 August 1966 as a double A-side with "Eleanor Rigby", and in the United States on 8 August. [67] In both countries, Revolver was released on the same day as the ...
Originally a "gold top" model, the guitar was refinished with a dark red stain before it got to Harrison and was nicknamed "Lucy". The guitar can be seen in the "Revolution" promotional video and the Let It Be film. Also seen in that film is a rosewood Fender Telecaster, given to him by Fender, used on Let It Be and Abbey Road (1969). [2] [3] [4]
"Only a Northern Song" is a song by the English rock band the Beatles from their 1969 soundtrack album Yellow Submarine. Written by George Harrison, it was the first of four songs the band provided for the 1968 animated film Yellow Submarine, to meet their contractual obligations to United Artists.
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...
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"Hey Bulldog" is a song by the English rock band the Beatles released on their 1969 soundtrack album Yellow Submarine. Credited to Lennon–McCartney, but written primarily by John Lennon, it was finished in the recording studio by both Lennon and Paul McCartney. [1]
[100] [101] Viewed as a secondary release beside the band's recently issued double LP, The Beatles, [102] [103] the Yellow Submarine album appeared in January 1969, [104] six months after the film's London premiere. [87] [105] In January 1996, "It's All Too Much" (backed by "Only a Northern Song") was issued on a jukebox-only single, pressed on ...
The light atmosphere of "Yellow Submarine" is broken by what Riley terms "the outwardly harnessed, but inwardly raging guitar" that introduces Lennon's "She Said She Said". [214] The song marks the second time that a Beatles arrangement used a shifting metre, after "Love You To", as the foundation of 4/4 briefly switches to 3/4. [ 216 ]