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Some pieces are unmarked in all periods, and there appears to be some overlapping of marks; indeed some pieces have two different marks. There are also anchor marks in blue and brown, [12] and an extremely rare "crown and trident" mark in underglaze blue, known on only about 20 pieces, and thought to date from around 1749. A chipped beaker with ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The images may be painted on coloured grounds, including yellow, blue, pink, coral red, light green, 'cafe au lait' and brown. [17] Black ground or famille noire may also be used on famille rose ware, but they are not highly regarded. Many produced in the Qianlong period were on eggshell porcelain.
The images may be painted on coloured grounds, including yellow, blue, pink, coral red, light green, 'cafe au lait' and brown. [9] Black ground or famille noire may also be used on famille rose ware, but they are not highly regarded. Many produced in the Qianlong period were on eggshell porcelain.
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
The Marblehead Pottery was founded in Marblehead, Massachusetts in 1904 as a therapeutic program by a doctor, Herbert Hall, and taken over the following year by Arthur Eugene Baggs. The pottery's vessels are notable for simple forms and muted glazes in tones ranging from earth colors to yellow-greens and gray-blues. It closed in 1936. [7] [8]
West German Art Pottery is essentially a term describing the time period of 1949–1990 and became the early way to describe the pottery because the country of origin, with numbers denoting the shape and size, was often the only "mark" on the base. Even though company names are now better known, and many items are attributed to specific makers ...
Linthorpe Art Pottery can have up to four identifying marks. Firstly, the factory mark , of which there are several variations, the earliest of which was the work Linthorpe impressed, this was latterly combined with the shape of mould number one, with this being registered on 14 November 1882 as a Trademark .
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