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American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational , puritanism , guilt , the uncanny ( das unheimliche ), ab-humans , ghosts , and monsters .
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Wieland is sometimes considered the first American Gothic novel. Wieland is often categorized under several sub-genres including gothic fiction, horror fiction, psychological fiction and epistolary fiction, which are listed at Project Gutenberg. Major themes include religious fanaticism, sensationalist psychology, and voice and perception.
Dostoyevsky's works explore the irrational, dark motifs, dreams, emotions and visions. He was an avid reader of the Gothic and enjoyed the works of Radcliffe, Balzac, Hoffmann, Charles Maturin and Soulié. Among his first Gothic works was The Landlady. The stepfather's demonic fiddle and the mysterious seller in Netochka Nezvanova are
Edgar Huntly, Or, Memoirs of a Sleepwalker is a 1799 Gothic novel set in rural Pennsylvania in 1787 by the American author Charles Brockden Brown. The novel was published by Hugh Maxwell. It is considered an example of early American gothic literature, with themes such as wilderness anxiety, the supernatural, darkness, and irrational thought ...
Reeve noted in the 1778 preface that "This Story is the literary offspring of The Castle of Otranto, written upon the same plan, with a design to unite the most attractive and interesting circumstances of the ancient Romance and modern Novel, at the same time it assumes a character and manner of its own, that differs from both; it is distinguished by the appellation of a Gothic Story, being a ...
Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and romanticism Contents: Top
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...