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Often uncredited, Starks and Stubblefield rank as two of the most sampled drummers on contemporary hip hop and R&B recordings. [7] [3] [10] Starks’ drum patterns have been sampled by LL Cool J, Kendrick Lamar, The Roots, A Tribe Called Quest, Black Eyed Peas, Kool Moe Dee, Rob Base and DJ E-Z Rock, Total and others.
His syncopated drum patterns on Brown's recordings are considered funk standards. Samples of his drum performances (particularly his break in the 1970 track " Funky Drummer ") were heavily used in hip hop music beginning in the 1980s, although Stubblefield frequently received no credit.
As the Triggerman beat evolved it commonly would also sample the drum pattern of Cameron Paul's "Brown Beats" or Derek B's Rock the Beat co-produced by Simon Harris, both were released in 1987. [11] Brown Beats was from 'Beats and Pieces' a DJ tools series with beats and breaks which Paul produced, [ 12 ] the song name derives from having ...
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. [1] One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" [1] – is that the rhythm lacks the kick drum pattern found in many other ...
In music, groove is the sense of an effect ("feel") of changing pattern in a propulsive rhythm or sense of "swing". In jazz, it can be felt as a quality of persistently repeated rhythmic units, created by the interaction of the music played by a band's rhythm section (e.g. drums, electric bass or double bass, guitar, and keyboards
"808" is the debut single by American R&B/pop girl group Blaque from their self-titled debut album. Released to radio and music video stations in early 1999, "808" became the group's first top-10 hit in the United States, peaking at number eight on the Billboard Hot 100 and reaching top five on the Billboard Hot R&B/Hip-Hop Singles chart.
8) rumba clave is the archetypal form of the guide pattern. Even when the drums are playing in duple-pulse (4 4), as in guaguancó, the clave is often played with displaced strokes that are closer to triple-pulse than duple-pulse. [48] John Santos states: "The proper feel of this [rumba clave] rhythm, is closer to triple [pulse].” [49]
Beat juggling essentially involves the manipulation of two identical or different drum patterns on two different turntables via the mixer to create a new pattern. A simple example would be to use two copies of the same drum pattern to evolve the pattern by doubling the snares, syncopating the drum kick, adding rhythm and variation to the ...