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Conchero dancers in Colonia Doctores, Mexico City Children performing Concheros in Mexico. The Concheros dance, also known as the dance of the Chichimecas, Aztecas and Mexicas, is an important traditional dance and ceremony which has been performed in Mexico since early in the colonial period.
Aztec Tlālpanhuēhuētl with Symbols of War, National Museum of Anthropology, Mexico City The huēhuētl [ˈweːweːt͡ɬ] is a percussion instrument from Mexico, used by the Aztecs and other cultures.
In Aztec mythology, Huēhuehcoyōtl ([weːweʔˈkojoːt͡ɬ]) (from huēhueh "very old" (literally, "old old") and coyōtl [ˈkojoːt͡ɬ] "coyote" in Nahuatl) is the auspicious Pre-Columbian god of music, dance, mischief, and song.
The Aztecs [a] (/ ˈ æ z t ɛ k s / AZ-teks) were a Mesoamerican civilization that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries.
The ayoyotes, ayoyotl, aztec jingles or huesos de fraile, are an idiophone percussion instrument of the Aztecs. It consists of a set of hard shells from the ayoyote or chachayote (chachayotl) tree of Thevetia genus, [1] fixed to skin or cloth pieces in order to be tied to the ankles or wrists of the dancer or musician.
Netotiliztli, often known as the dance of celebration and worship, was a traditional dance practiced by the Mexica people. [1] As a pre-Hispanic tradition, it was a spiritual dance, deeply associated with the worship of Aztec gods.
Guggenheim Museum, The Aztec Empire: Catalogue of the Exhibition, Guggenheim Museum, New York. Howell, Mark (2003). "Concerning the Origin and Dissemination of the Mesoamerican Slit Drum". Music in Art: International Journal for Music Iconography. 28 (1–2): 45–54. ISSN 1522-7464.
This is a list of gods and supernatural beings from the Aztec culture, its religion and mythology.Many of these deities are sourced from Codexes (such as the Florentine Codex (Bernardino de Sahagún), the Codex Borgia (Stefano Borgia), and the informants).