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Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
Sculpture of Tridevi. From left to right: Sarasvati, Lakshmi and Parvati. The Tridevi [a] are a trinity of supreme divinity in Hinduism, joining a triad of eminent goddesses either as a feminine version of the Trimurti, or as consorts of a masculine Trimurti, depending on the denomination.
Vrisharudha is depicted as the form of the deity who is accompanied by Parvati and seated on his bull mount, Nandi. Chandrashekara Chandrashekara is depicted as the form of the deity who wears the crescent moon on his matted hair. Umamaheshvara: Umamaheshvara is depicted as the divine couple of Shiva and Parvati following their wedding. Nataraja
Banshankari or Vanashankari is made up of two Sanskrit words: vana ("forest") and Shankari ("the consort of Shiva, Parvati"). The temple is popularly called Vanashankari since it is located in the Tilakaaranya forest. The transformation of vana-to bana-reflects a common loanword adaptation in Kannada from Sanskrit words.
Thyagaraja Temple is a Shiva temple, located in the town of Thiruvarur in Tamil Nadu state, India. Shiva is worshiped in the form of a lingam as Thyagarajaswami, also known as Putridankondar. His consort Parvati is worshipped as Goddess Neelotpalambika.
As Shiva's wife, Parvati represents the life-affirming, creative force that complements Shiva's austere, world-denying nature. Her presence in his life draws him from isolation into worldly engagement, thus balancing the two poles of asceticism and householder life in Hindu philosophy.
Now it has become an important Hindu worshipping centre of the region, with devotees coming from far and near. In addition to the main Shiva-Parvati idol, the Temple's inner courtyard features sub-temples for Lord Ganesha and Lord Sastha. Other sub-temples for Naga Raja, Naga Yakshi, Naga Kanyaka and Rakshas are also located within the main ...
His consort, Parvati, is portrayed seated in a sukhasana pose, with her right leg folded and her left leg stretched. She is represented with two hands performing the kapittha - hasta . Their son, Skanda, is portrayed in their midst, performing the araimandi pose, or standing in vaitastika-sthanaka with his knees slightly bent.
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