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Director and actor reviewing footage from Agha Yousef.. In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture.The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch (and later telecined onto videotape or disk) for ...
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical.
The then popular Mitchell camera, which could be operated silently made it possible to shoot in sync sound. However, due to the change of shooting environments from studios to locations, as well as the surging popularity of the more portable but noisy Arri 2c camera, [10] shooting with sync sound became less common during the mid 60s.
Sound-on-film is a class of sound film processes where the sound accompanying a picture is recorded on photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically .
Double-system recording requires that sound and picture be manually synchronized at the start of every "take" or camera run. This task was performed by the clapper slate. A clap sound on the recording is matched to the closed clapper image on the printed film, and thus the two recordings can be realigned into sync.
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Foley complements or replaces sound recorded on set at the time of the filming, known as field recording. The soundscape of most films uses a combination of both. A Foley artist is the person who creates this sound art. Foley artists use creativity to make viewers believe that the sound effects are actually real.
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