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Some liturgical dance was common in ancient times or non-Western settings, with precedents in Judaism beginning with accounts of dancing in the Old Testament.An example is the episode when King David danced before the Ark of the Covenant (), but this instance is often considered to be outside of Jewish norms and Rabbinic rituals prescribed at the time.
A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy" . It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be celebratory, supplicatory ...
It is a sacred dance performed to become possessed by the Holy Spirit or ancestral spirits. [20] [21] According to musicologist Robert Palmer, the first written accounts of the ring shout date from the 1840s, during the pinnacle of Christian revivalism. The stamping on the church floor and clapping in a circle was described as a kind of ...
The Oakland dance style turfing is a fusion of popping and miming that incorporates storytelling and illusion. Krump is less precise, and more freestyle, than turfing. Thematically, all these dance styles align under the term street dance as they all share common attributes of their street origins, their freestyle nature and the use of battling.
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...
Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band ...
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The subject of a Stavan varies, ranging from praise of Jina, Jain religious ideas and its philosophy, in a manner similar to Bhakti Bhajans. [ 33 ] Jainism rejects any Creator god, but accepts protector deities and rebirth of souls as heavenly beings, and its devotional singing traditions integrate these beliefs.
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