Ad
related to: history of afro peruvian musicebay.com has been visited by 1M+ users in the past month
Search results
Results from the WOW.Com Content Network
Afro-Peruvian music, Black Peruvian Music, Música afroperuana, or Música negra, is a type of Latin American music first developed in Peru by enslaved black people from West Africa, where it is known as Festejo. The genre is a mix of West African and Spanish music.
In November 2009, the Peruvian government issued an official apology to Peru's Afro-Peruvian people for centuries of racial injustice; it was the first such apology ever made by the government. [17] It was announced by Women's and Social Development Minister Nidia Vilchez, and initially published in the official newspaper El Peruano. [17]
Afro-Peruvian music was performed only in Afro-Peruvian communities to help create and maintain Afro-Peruvian identity and strengthen social bonds. However, globalization has brought those communities closer to the outside world that Afro-Peruvians started to market their songs to non Afro-Peruvian audiences. Therefore, the music genres ...
"Toro Mata" ("The Bull Kills" in Spanish) is one of the most famous Afro-Peruvian songs in Peru, which has been recorded and developed by many different musical artists throughout its history. "Toro Mata" is a type of Peruvian music initially developed by enslaved black people in Cañete and Chincha.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.
The cajón is the most widely used Afro-Peruvian musical instrument since the late 19th century. [2] Enslaved people of west and central African origin in the Americas are considered to be the source of the cajón drum. Currently, the instrument is common in musical performance throughout some of the Americas and Spain.
There are theories of the origin of this genre. According to the Peruvian reciter and ethnomusicologist Nicomedes Santa Cruz (1925-1992), the word "landó" derives from ondú, an African dance. It is also suggested that the landó comes from the Brazilian dance lundu. Likewise, the term "landó" is hardly found in the literature of the time of ...
Timothy G. Merello from PopMatters said of her performance in Old Town School of Folk Music, Chicago: "Susana Baca, more than just a singer, is a poet, a historian, a spelunker and explorer of Afro-Peruvian folklore and music [...] she and her band entertain, educate and entrance a sold out crowd with a musical melange of rhythms, melodies ...
Ad
related to: history of afro peruvian musicebay.com has been visited by 1M+ users in the past month