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Venus of Hohle Fels, the earliest known Venus figurine. The Vénus impudique, which was the figurine that gave the whole category its name, was the first Palaeolithic sculptural representation of a woman to be discovered in modern times.
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
La Femme au Cheval is an oil painting on canvas with dimensions 162 × 130.5 cm (63.8 × 51.4 in). As the title indicates the painting represents a woman and a horse. The rather elegant woman wearing only a pearl necklace and the horse are immersed in a landscape with trees and a window (in the 'background'), a vase, with fruits and vegetation (in the 'foreground') clearly taken from the ...
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
Seated woman of Çatalhöyük flanked by two lionesses. The Potnia Theron (Ancient Greek: Ἡ Πότνια Θηρῶν, romanized: Hē Pótnia Therón, lit. 'The Lady of Animals', [1] [hɛː pót.ni.a tʰɛː.rɔ̂ːn]) or Mistress of Animals is a widespread [not verified in body] motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human ...
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. [1] The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical ...
Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1] What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2]
The seated woman represents the wife of Raymond Duchamp-Villon, the sculptor who took part in the discussions of the Section d'Or group at Puteaux during 1911 and 1912. She is portrayed as "the epitome of bourgeois complacency", [3] in a large armchair, with her dog and two cats, wedding band, and string of beads. Cubist elements observed here ...
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