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Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]
Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
The city of Thessaloniki in Greece was the second most important city in the empire in terms of both wealth and size, [12] and like Ravenna its early Christian monuments have been designated UNESCO World Heritage sites. Masterpieces of early mosaic art in Thessaloniki include the Church of Hosios David, the Hagios Demetrios, and the Rotunda. [13]
Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards ...
The earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of tombs belonging, most likely, to wealthy [17] Christians in the catacombs of Rome, although from literary evidence there may well have been panel icons which, like almost all classical painting, have disappeared.
From the Early Christianity to the present, the most significant objects of transformation for Christian architecture and design were the great churches of Byzantium, the Romanesque abbey churches, Gothic cathedrals and Renaissance basilicas with its emphasis on harmony. These large, often ornate and architecturally prestigious buildings were ...
The ruin symbolism in "Nativity" and "Adoration of the Magi" paintings first emerged in Early Netherlandish art around the mid-fifteenth century, in a distinct Romanesque style. [30] Early Netherlandish painters began to associate this style with the architecture of the Holy Land, in contrast to the vague Orientalism of earlier
After the Moorish occupation, Pre-Romanesque art was first reduced to the Kingdom of Asturias, the only Christian realm in the area at the time which reached high levels of artistic depuration. (See Asturian art). The Christians who lived in Moorish territory, the Mozarabs, created their own architectural and illumination style, Mozarabic art.