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Kaminski, Joseph Jon. "World War I and Propaganda Poster Art: Comparing the United States and German Cases." Epiphany Journal of Transdisciplinary Studies 2 (2014): 64-81. online; Knightley, Phillip (2002), The First Casualty: The War Correspondent as Hero and Myth-Maker from the Crimea to Kosovo, Johns Hopkins UP, ISBN 978-0-8018-6951-8
European Contributions to American Studies 44 (2000): 161–174. Fischer, Nick, "The Committee on Public Information and the Birth of U.S. State Propaganda," Australasian Journal of American Studies 35 (July 2016), 51–78. Hamilton, John, Manipulating the Masses: Woodrow Wilson and the Birth of American Propaganda
English: A World War I United States Army recruitment poster featuring a half-length portrait of Uncle Sam pointing at the viewer, with the legend "I want you for U.S. Army". Suomi: Setä Samuli juliste vuodelta 1917, tekstillä "I want you for U.S. Army" (suomeksi: "Haluan sinut Yhdysvaltain armeijaan").
An American propaganda poster from World War II produced under the Works Progress Administration. In the United States, propaganda is spread by both government and non-government entities. Throughout its history, to the present day, the United States government has issued various forms of propaganda to both domestic and international audiences.
A WWI Recruitment poster, using a New York Herald cartoon by W.A. Rogers. Shows an anthropomorphised Germany wading through a sea of dead bodies, with the slogan "Only the Navy can Stop This". Presumably a reference to the U-boat campaign sinking civilian ships, such as the Luisitania. Compare File:Track of Lusitania.jpg. Date
James Montgomery Flagg (June 18, 1877 – May 27, 1960) was an American artist, comics artist, and illustrator.He worked in media ranging from fine art painting to cartooning, but is best remembered for his political posters, particularly his 1917 poster of Uncle Sam created for United States Army recruitment during World War I.
Propaganda poster by Louis D. Fancher. The U.S. developed its own propaganda organization, the Committee on Public Information (CPI), days after the declaration of war. Originally wary of film as a propaganda medium, it created the Division of Films on 25 September 1917 to handle films taken by army Signal Corps cameramen.
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