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This page was last edited on 6 February 2025, at 11:20 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women's hair. The beads were about one millimetre long.
By the 1960s costume jewellery was widely worn, which resulted in seasonal, ever-changing styles of necklaces and other jewellery. [4] Fine jewellery that was common in this period included wholly geometric or organically shaped silver necklaces, and precious gems set in platinum or gold necklaces inspired by the time of the French Empire. [4]
In a rivière, the silver, gold, or platinum settings are designed to be inconspicuous. The necklace's impact comes entirely from the uninterrupted line of gemstones , identical in colour and cut . The stones are either all the same size, or vary gradually from small to larger towards the bottom of the necklace.
For example, a gold alloy of 127 ⁄ 128 fineness (that is, 99.2% purity) could have been described as being 23-karat, 3-grain, 1-quart gold. The carat fractional system is increasingly being complemented or superseded by the millesimal system, described above for bullion, though jewelry generally tends to still use the carat system.
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